The neoclassical and folk-inspired Symphonic Variations by Witold Lutosławski is his debut work. The composer wrote it just after finishing his studies. The piece is characterised by a distinct rhythm and an energetic dialogue between instruments, culminating in a finale worthy of film music.
On the other hand, Robert Schumann's Cello Concerto in A Minor was written at the end of the composer's life, and he never witnessed its public premiere. It is treacherous for cellists, with virtuoso parts that are much more challenging than they seem when listening. Additionally, this concerto is full of almost poetic expression and extraordinary emotional depth.
Fragment of Schumann's Cello Concerto interpreted by Johannes Moser and the Berliner Philharmoniker conducted by Zubin Mehta:
Schumann was the first to recognise the compositional talent of Johannes Brahms. The world soon discovered that his enthusiasm was not misplaced. Brahms' Symphony No. 3 was acclaimed immediately after its premiere. Brahms composed it as a mature artist at the height of his abilities. Without exaggeration, this work surpasses his first two symphonies, perhaps not with grandeur and monumental conception, but certainly with beauty, enthused Antonín Dvořák. The piece excites not only because of its melodic qualities but also due to the vibrant orchestral colours and exceptional rhythmic flexibility.
Fragment of Brahms's Symphony No. 3 performed by the Budapest Festival Orchestra conducted by Iván Fischer:
